‘Seams and Interruptions: Surrealism and Photography’. David Campany with John Stezaker
‘Seams and Interruptions. Surrealism and Photography.’ David Campany and John Stezaker in conversation. First published in Frieze Masters magazine, no.2, 2013 David Campany: André Breton once defined a surrealist image as one in which two conceptions of reality co-exist. Susan … Continue reading