David Campany is a curator and writer, currently based in London. He teaches at the University of Westminster, London.
Renowned for his engaging and rigorous writing, exhibitions and public speaking, David has worked worldwide with institutions including MoMA New York, Tate, Whitechapel Gallery, Centre Pompidou, Le Bal, and the Stedelijk Museum.
He is the curator of three-city Biennale für aktuelle Fotografie, 2020 (Mannheim/Ludwigschafen/Heidelberg, Germany)
Recent curatorial projects include The Still Point of the Turning World: Between Film and Photography (FoMu Antwerp, 2017); The Open Road: photography and the American road trip (various venues, USA, 2016-); A Handful Dust (Le Bal, Paris, 2015; Pratt Institute New York, 2016; the Whitechapel Gallery London, 2017; The California Museum of Photography, 2018; Polygon Gallery, Vancouver, 2019); Walker Evans: the magazine work (various venues – France, Poland, Belgium, Italy, Australia and New Zealand, 2014-2017), Lewis Baltz: Common Objects (Le Bal, Paris 2014); Victor Burgin: A Sense of Place (AmbikaP3 London, 2013); Mark Neville: Deeds Not Words (The Photographers’ Gallery London, 2013); and Anonymes: Unnamed America in Photography and Film (Le Bal Paris, 2010).
David’s many books include So Present, So Invisible – conversations on photography (2018), A Handful of Dust (2015), The Open Road: photography and the American road trip (2014), Walker Evans: the magazine work (2014), Gasoline (2013), Jeff Wall: Picture for Women (2010), Photography and Cinema (2008) and Art and Photography (2003). He has written over two hundred essays for monographs and museums. He contributes to Frieze, Aperture, Source and Tate magazines.
David has a Phd. For his writing, he has received the ICP Infinity Award, the Kraszna-Krausz Book Award, the Alice Award, a Deutscher Fotobuchpreis, and the Royal Photographic Society’s award for writing.
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